Sunday, April 10, 2016

Wonder Woman, Kamandi and Doom Patrol news

Over at ComicsAlliance, there is an article that suggests that the 2017 Wonder Woman solo movie is going to be "Pretty Dark." 



While this might seem like an odd direction given that Batman v Superman seems to have suffered from reviews that called it too dark and joyless, it really doesn't surprise me for a number of reasons.

1) This movie was well into production prior to the bleak reviews BvS received.
2) The movie is set during World War I, and it's probably next to impossible to have a FUN movie in which trench warfare has any part.
3) I suspect that reversing gears from their Green Lantern inspired No Jokes edict isn't going to be as simple as flipping a switch.

Honestly, if it were me, I think I would have found some way to put the movie in World War II and add some Justice Society characters.  Yeah, I know this would cost a lot of money in reshoots (I guess) but with the rumors that Time Warner is already getting reshoots for the Suicide Squad to put in more joviality, I don't know if rejiggering the Wonder Woman movie that would be a real show stopper at this point. It definitely sounds like a better strategy than doubling down on Grim and Dark.

On the flipside, one bit of DC Rebirth news I've seen that has me interested is the story that DC is going to have a 12 issue Kamandi series written by different teams to present a story that is interconnected.



Check out these teams:  

Dan Abnett & Dale Eaglesham,  
Peter J. Tomasi & Neal Adams,  
Amanda Conner & Jimmy Palmiotti
James Tynion IV & Carlos D'Anda
Bill Willingham & Ivan Reis
Steve Orlando & Philip Tan,
 Marguerite Bennett & Dan Jurgens,  
Keith Giffen & Steve Rude
Tom King & Kevin Eastman,  
Greg Pak & Joe Prado,  
Rob Williams & Walter Simonson,  
Gail Simone & Ryan Sook
Len Wein & José Luis García-López.

This sounds exactly like the type of challenge that might inspire writers to create some pretty entertaining comics. And those creative teams are top notch. I hope this project works well and spawns similar projects using other DC characters!

Finally, DC also announced that Gerard Way, whose Umbrella Academy has been quite the success for Dark Horse, will be working on a new Doom Patrol series


This series will actually be part of a larger initiative by DC wherein Way guides a new DC imprint called Young Animal which will also use some other long forgotten DC characters like Cave Carson and Shade the Changing Man.

At first I was a bit dubious about this news, simply because I'm not a fan of celebrities turned writers in ANY media, but after some discussion and reflection, I realized, this is probably exactly what DC needs to reignite it's lackluster Vertigo demographic.

Thinking about Vertigo in the past, maybe someone like Way is exactly what they need? A well known personality with a defined aesthetic to help give the brand a new identity for new writers to converge around. I mean, I don't know, but you have to sort of think that having Gaiman work there was one of the things that provided a smooth entry for Ellis, Ennis and Vaughn (though he may have come after Gaiman had left.) Since then, Vertigo has sort of been this empty shell without a real figurehead to speak for it.

With that said, of the three projects, I'm probably the most interested in the Kamandi Challenge.

- Jim

Sunday, April 3, 2016

Brave and the Bold Omnibus

So I just found out that DC is putting out something they call The Bronze Age Batman Omnibus. Checking it out on Amazon, it's really more of a Brave and the Bold Omnibus as it's going to to feature issues 87 to 122 of the Brave and the Bold.

Sound just like the sort of thing I'd be all about, right? I mean, the great Jim Aparo art and, ahem, topical, Jim Haney stories make that my favorite era of Brave and the Bold. However, the cover is a bit lackluster. Check this out:

No two ways about it - that cover really doesn't "sell" the great Bronze Age content. What's even worse is that because of the title, this looks like this is going to be the ongoing trade package for this entire line. :(

Anyway, I took it upon myself to redesign the cover more to my liking. Here's what I came up with.

You'll notice I took the liberty of spelling out the exact nature of the content by adding the Brave and the Bold masthead AND giving Bob Haney and Jim Aparo credits on the cover.  I also took advantage of all the guest-stars that appeared in the issues to make the cover more eye catching.

The one issue some people might have with my cover is that Batman isn't shown. That's a fair complaint, so a created another version which had shows the Batman on it.




Hope you like them!

- Jim

Monday, March 28, 2016

BvsS Aftermath

I won't waste your time with another review of Batman vs Superman. I think if you google a bit, you'll find one or two reviews online. Instead, let's talk about some of the questions that have popped up since the movie came out this weekend.



1) If the production cost for the movie was $250 million, then why does Batman vs Superman need $800 million to break even? 

I suspect it's because Time Warner is using the movie's "marketing costs" to cover the debt of other bad projects.

2) Did Disney pay critics to make bad reviews of the movie?

There may have been a passive influence, but I think it's highly unlikely a full blown conspiracy was in the works.

3) Will the bad reviews cause Time Warner to take a different approach with the other movies?

Possibly. Check out this article where James Wan, the director of Aquaman states his movie will have a lighter tone.

4) Finally, will this movie start a backlash against Rotten Tomatoes?

Not likely. While people have accused the site of having reviews that seem to skew towards certain agendas, I think all will be forgiven by the time Civil War comes out, and fans will go back to using the RT scores to (wrongly) justify if a movie is good or not.

Anyway, feel free to use the comments section to add your own questions!

- Jim


Tuesday, March 8, 2016

Hey!! Kids Comics

One of the common complaints from older comic fans is that the direct sales comics market has deprived kids of the experience picking up comics from a spinner rack. This is usually accompanied by some back and forth about how there are no kids comics any more. However, Comic Book Resources writer Brian Hibbs posted a report on the 2015 Bookscan numbers that shows that kids comics (in the form of graphic novels) are actually outselling traditional superhero trades! Below, I've made a graph that tell the tale.

First up is this graph that shows the Top 10 Trades on the Bookscan list broken out into groups (assigned by me - Kid, DC, Walking Dead and Persepolis )


Yep, that blue area is the sales of All Ages books in the the Top 20. Below are the actual figures. I've highlighted the All-Ages material.

Sales Title
$4,935,546.00 DORK DIARIES 10
$4,146,845.00 DORK DIARIES 9
$3,985,855.00 THE WALKING DEAD: COMPENDIUM V3 TP
$3,628,975.00 THE WALKING DEAD COMPENDIUM V1 TP
$2,900,612.00 DRAMA
$2,732,964.00 THE WALKING DEAD: COMPENDIUM V2 TP
$2,638,094.00 SMILE
$2,411,436.00 SISTERS
$1,614,781.00 DORK DIARIES 1
$1,282,346.00 KRISTY'S GREAT IDEA: FULL-COLOR
$1,257,734.00  BATMAN: THE KILLING JOKE HC
$1,233,792.00 CAN'T WE TALK ABOUT SOMETHING MORE PLEASANT
$1,175,771.00 HYPERBOLE AND A HALF
$1,165,833.00 CIVIL WAR TP
$1,163,843.00 PERSEPOLIS 1
$906,026.00 JEDI ACADEMY
$896,842.00 BIG NATE: SAY GOOD-BYE TO DORK
$869,005.00 BIG NATE'S GREATEST HITS
$815,071.00 DORK DIARIES 9 TALES FRO B&N EDITION
$802,175.00 EL DEAFO

What's also interesting is the gender makeup of the Top 20 Sales leaders. While we often read about how there is a lack of diversity in the big Two comic companies (and the industry at large I suspect), there is no denying that the All-Ages book market is playing by different rules. Check out this graph.


As a father of a daughter I can testify to the popularity of both the Dork Diary series by Rachel Renee Russell and the books Smile, Sisters and Drama by Raina Telgemeir. The Telgemeir books have a nice style we can all appreciate:


What's most interesting is that while this list is made of up book store numbers, my daughter and her friends get their books straight from their school at bi-monthly book fairs.

 How it works is that her teacher hands out a sheet with new and popular books on it.(see example below)


The kids take the sheet home, show their parents what books they want. The parents can then send a check back with the form for the books they've agreed on. A few weeks later the books show up at the school. Now, that's a direct market!

While I'm discussing the topic, I would like to alert readers to a new All-Ages book coming out this week written by friend of the Flashback Universe, David Gallaher: The Only Living Boy: Prisoner of the Patchwork Planet


This is a collection of the issues that I've been reading on Comixology, and I've really been enjoying it. To me, it feels like a cool mashup of Jack Kirby's Kamandi, Baum's Oz Books and Micronauts (mostly because of the incredible design work artist Steve Ellis brings to the table.)

So, if you're one of those people looking for something cool to share with your kids, I would definitely encourage you to check out the first book!

Have a great week!

- Jim

Tuesday, March 1, 2016

Walko's Custom Superfriends DVD covers

Over at the Back Issue facebook group, Bill Walko presented his amazing custom Superfriends DVD covers.



Bill said he thought the packaging and labeling of the DVDs as they were originally created was inconsistent, so he felt like they needed a redesign. I think he did an awesome job!


You can see the full set (ready for printing) at his Saturday Morning Hangover tumblr site

In the comments of the facebook post, Scott Simmons alerted me to this video that talks about the DVDs. Check it out!



I always enjoy seeing people redesign stuff, so if you know of any more instances like these, feel free to post them in the comments!

- Jim

Monday, February 22, 2016

Ten Forgotten Saturday Morning Cartoon/Shows

The other day I mentioned the Partridge Family 2200 AD cartoon to my wife who had never heard of it. It prompted a conversation about some of the really arcane cartoons that I remember from my childhood. How many of these do you remember? (All Synopsis text is from Wikipedia.)



Pirates of Dark Water


The alien world of Mer is being devoured by an evil substance known as Dark Water. Only Ren, a young prince, can stop it by finding the lost Thirteen Treasures of Rule. His loyal crew of misfits that help in his journey are an ecomancer (Tula), a monkey-bird (Niddler), and a treasure-hungry pirate (Ioz). The evil pirate lord, Bloth, will stop at nothing to get the treasures for himself and provides many obstacles for Ren and his crew.

The Kid Super Power Hour with Shazam


Far Out Space Nuts
 
While loading food into various compartments to prepare a rocket for an upcoming mission, Barney (Chuck McCann) instructs Junior (Bob Denver) to hit the "lunch" button, but Junior mistakenly hits the "launch" button. The rocket blasts off and takes them on various misadventures on alien planets.

Things That Go Bump In The Night


Mr. Bumpy is a small green, purple-warted monster living under the bed of a ten-year-old boy, where he eats dirty socks and dust bunnies as if they were delicacies. His best friends are Squishington, a blue monster that lived in the bathroom's toilet tank; and Molly Coddle, a Frankenstein's monster-like rag doll belonging to the boy's sister who acts as the straight man to the other's crazy antics.
Other characters include Destructo, the boy's toy robot who sees himself as a cop and persecutes Mr. Bumpy for his actions. There's also the Closet Monster, who's made up of the boy's pile of clothes and chases after Mr. Bumpy.

The ABC Saturday Superstar Movie


The ABC Saturday Superstar Movie — renamed The New Saturday Superstar Movie in its second season — is a series of one-hour animated TV-movies (some of which also contained live action), broadcast on the ABC television network on Saturday mornings from September 9, 1972, to November 17, 1973.

Intended as a "Movie of the Week" for kids, this series was produced by several production companies — including Hanna-Barbera, Filmation, and Rankin/Bass — and mostly contained features based on popular cartoon characters and TV shows of the time, such as Yogi Bear, The Brady Bunch, and Lost in Space. Some of the features served as pilots for new TV shows.

 Valley of the Dinosaurs


Science teacher John Butler along with his wife Kim, their two children, Greg and Katie, and their dog, Digger, are on a rafting trip on the Amazon River. As they are going down the river, their boat hits a rock and capsizes. The family then gets caught in a whirlpool. When they surface upon going through an underground cavern, they find themselves in a prehistoric valley where they meet caveman Gorok, his wife Gara, their two children Lok and Tana, and their pet, a baby Stegosaurus named Glump. The two families soon become friends and Gorok and his family help the Butlers in their many attempts to find a way to return home while trying to survive in the valley.

Danger Island


Intended as a live-action version of the animated Hanna-Barbera series Jonny Quest, Danger Island depicted the adventures of a trio of explorers in an unnamed tropical island group: Prof. Irwin Hayden, an archaeologist; Lincoln "Link" Simmons, the professor's youthful assistant; and Leslie, the professor's daughter, who serves as both a love interest for Link and the series' token damsel-in-distress.

Several years earlier, the professor's brother (also an archaeologist) disappeared in the same island chain while searching for the mythical lost city of Tobanya. They are joined on their quest by Morgan, a shipwrecked merchant mariner, and his teenage sidekick Chongo, who speaks only in a series of monkey-like chatters and birdcalls. They are pursued by a group of bumbling but heavily armed modern-day pirates led by the murderous Captain Mu-Tan, and by three tribes of cannibalistic natives known as "the Headhunters", "the Skeleton Men" and "the Ash Men". The show spawned the popular  catchphrase "Uh-oh, Chongo!" among children of that time.

Yogi's Ark/Yogi's Gang

Yogi's Gang is a 30-minute Saturday morning animated series and the second incarnation of Hanna-Barbera's Yogi Bear series which aired 16 half-hour episodes on ABC from September 8, 1973, to December 29, 1973. The show began as Yogi's Ark Lark, a special TV movie on The ABC Saturday Superstar Movie in 1972. Fifteen original episodes were produced for broadcast on ABC, with the hour-long Yogi's Ark Lark thrown in as a split-in-half two-parter.

After a successful run on Saturday mornings, episodes of Yogi's Gang were serialized on the syndicated weekday series, Fred Flintstone and Friends in 1977–78. In the late 1980s, repeats were shown on USA Cartoon Express and later resurfaced on Nickelodeon, Cartoon Network and Boomerang.

Here Comes The Grump

The main character was a small, grumpy wizard who put a spell of melancholy on the kingdom of the Princess Dawn. The Princess and her friend Terry Dexter (a boy from the "real" world) searched for the Cave of the Whispering Orchids to find a crystal key to break the spell, while the Grump tried to stop them. In each episode the Grump flew a dragon named Dingo, chasing Terry and Princess Dawn. This led them to bizarre places with strange characters, such as the Blabbermouth of Echo Island, where the mountains were made of living Swiss cheese.

The Princess had a pet named Bip — a vaguely doglike creature with tentacular legs, that sniffed clues like a hound dog, turned around by pulling in its tail and head and popping them back out at opposite ends, and communicated in the sounds of a soprano bugle. In most episodes, the Princess and her friends traveled in a flying car supported by a big balloon.

Partridge Family 2200 AD

This series saw the Partridge Family propelled 225 years into the future, with no explanation as to why or how. The series featured new characters Veenie (Keith's Venusian friend) and Marion (Laurie's Martian friend). Danny had a pet robot dog named Orbit. The group's matriarch was now Connie Partridge (the name originally used for the live-action series' 1969 pilot) and voiced by Joan Gerber. (During a February 2, 2008 New York radio interview with Mark Simone on WABC's Saturday Night Oldies show, Shirley Jones, who played mother Shirley Partridge on the live-action series, apparently was never even told of the show's existence and had no recollection of any animated version of the series ever being produced.)

In addition to Jones's absence, David Cassidy (Keith Partridge) and Dave Madden (manager Reuben Kincaid) did not voice their animated counterparts; both parts were recast. Susan Dey provided Laurie's voice for only two episodes before she was replaced by former Mouseketeer Sherry Alberoni. Danny Bonaduce, Suzanne Crough and Brian Forster voiced their respective characters from the live action series.

Sixteen half-hour episodes were produced for Partridge Family 2200 A.D., which lasted half a season on CBS Saturday morning (September 7, 1974 – March 8, 1975). In 1977–78, it was re-titled The Partridge Family in Outer Space when episodes were serialized on the syndicated weekday series Fred Flintstone and Friends. Like many animated series created by Hanna-Barbera in the 1970s, the show contained an inferior laugh track created by the studio.

That wraps up my Ten Forgotten Saturday Morning Cartoons.
What cartoons do you think I should have added?

- Jim

Sunday, February 7, 2016

Deadpool, DC Rebirth and Suicide Squad

Here are some thoughts on some of the comic related news/media that popped up while I was looking back at 2015:



The Deadpool Movie

I got several emails asking about this movie - mostly from people who were excited about the trailers. On first pass, the trailers are refreshing in that they present a movie that looks to be quite a departure from the standard MCU formula (or perhaps it's more of a distillation of that formula.) Still, a couple more viewings of the trailer didn't show me anything that really needed to be seen on the big screen, so I'll probably wait until it's available for rental.

How do I think it will do? Hard to say, but early reviews of the movie are surprisingly good. However, I might suggest that most of the favorable reviews start with either a base of Not Your Typical Marvel Movie (like my reaction to the trailer) or True To the Character and build from there. That being said, it does look it will be a modest hit among its target demographic (Fans of the Deadpool comic and/or Van Wilder - which is probably a redundant statement.) I'm going to guess this makes something in the 40 - 50 million dollar range on the first weekend.

Pros: It may encourage movie studios to experiement with different types of superhero movies.

Cons: It will probably triple the number of annoying Deadpool cosplayers at conventions. As Sarah Fong said on Facebook:


Also, let's pray to hell Deadpool doesn't carry a boombox in the movie.

DC Rebirth

Back in December, I suggested 2016 could possibly be one of the worst years for Big Two comics and so far it looks like we are right on track for that to be true. First DC has announced a publishing realignment (or something) to tie their comics closer to their television/movie properties which is now sort of looking like an Ad Hoc Reboot according to Bleeding Cool.

Second, DC just had a horrible sales month with January 2016 presenting the widest gap between Marvel sales and DC sales the past decade. (Marvel's Marketshare was twice that of DC's)



I don't think Rebirth is going to change things short term. Based on emails I've gotten and talking to various comic shop owners, there aren't a lot of DC customers excited about Rebirth - just the opposite in fact. Many shop owners are reporting people coming in and cancelling all DC comics.

For me, I'm willing to wait and see what DC has planned. I think they need to stop chasing the short term big event money and concentrate more on creating stories that can become the new wave of trade paperback evergreens. (More New Frontiers and Fables and less Convergence and Trinity War)


I know that's sort of always the plan they hope for, but let's see if they get closer to the pin this time around.

The Suicide Squad Trailer

With its new, more fan aligned, portrayal of Harley Quinn and bombastic Queen accompaniment, the new Suicide Squad trailer seems to be doing quite a good job getting fans excited about the upcoming August movie.


Here's what's interesting - currently, the HD version of the trailer is up to 36 m(illion) views on YouTube after just two weeks. On the flipside, the HD version of Captain America 3: Civil War is only up to ~6 m views. That's after two months. Clearly, more people are interested in watching the Suicide Squad trailer. I think that may also something about either peoples interest in each movie OR how Warner Bros found a way to get the word out on their HD clip more effectively than Disney.

It also might be due to the order in which the clips were released as the non-HD version of CA:CW has ~44 m views. The non-HD Suicide Squad trailer which only had 12 m views after 4 days but seems to have been removed.

I also think the addition of more Joker and Harley scenes in the SS trailer may be driving more traffic. Also the write ups on various sites seem very enthusiastic which is a better inducement to clicking the video to watch it than the various "...here's a condensed version of how Civil War played out in the comics.." write ups the Cap trailer got on a lot of sites.

I like the trailer. On one hand, I think whoever put it together gets what made the Guardians of the Galaxy trailer so successful, but I think it's actually a good bit better than the GotG trailer. (I think I'm prejudiced because I like the song choice better.) I also like how they integrated the song with the trailer better, stopping and starting it at key points.

They also do a nice job with introducing each member of the movie (but here I would say GotG was a little more effective as the intro to each character was a bit clearer/direct. The voice over in the SS trailer seemed harder to follow.

Margot Robbie looks like she's going to be a big hit as Harley Quinn. Jared Leto looks appropriately scary as the Joker. Hm...the Captain Boomerang character got a good bit of screen time, but I'm not sure I saw the hook for that character. Will Smith's Deadshot didn't wow me either because he mostly looked weary in the trailer. (I'm guessing that's sort of intentional and he's going to be the character arc of the movie.)

Overall, I was jazzed to see the movie before and this trailer just increased my eagerness.

- Jim

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