25 Greatest Robots in Comics: Counting Down the Top Five!

25 Greatest Robots in Comics: #25-21 | #20-16 | #15-11 | #10-6 | #5-1 | Honorable Mentions

All week, we've sung the body electric in anticipation of today's U.S. release of Avengers: Age of Ultron.  Now, at last, it's time to see whom the Flashback Universe contributors have selected the five greatest robots in comics.

5 - Vision

First appearance: Avengers #57 (1969)

Oh Vision, you started out so cool and simple. You were built from the body of the original Human Torch and your mind was based off of the recorded brainwaves of Wonder Man. (Okay, maybe simple is a stretch, but it was sort of cool.)

However, over the years, your origin has become such a jumbled mess of retcons and revamps that an entire mini-series (Avengers Forever) had to be written to explain who you are. And while Avengers Forever contains some very fine parsing of the Marvel Universe and history by Kurt Busiek, its ultimate resolution for the Vision’s origins is less than satisfying. The quick version is this:

Immortus, the Absolute Master of Time, used the Forever Crystal to create a split in the timestream which allowed there to be TWO Human Torch androids in Professor Horton’s lab. One that Ultron took to build the Vision and one that was buried (and eventually revived by the West Coast Avengers.)

As explanations that try to meld two conflicting origins go, I would put this one in the Warm Milkshake category. It’s not insulting, but it won’t make anyone very happy either.

Honestly, fictional history aside, I’m a bit more interested in the Red Tornado/Vision connection. As well covered by the site ComicCoverage.typepad.com, there are a number of similarities between the two that make one wonder if they have a common inspiration.

Gardner Fox created the Red Tornado. Fox was no stranger to Android characters (having created Amazo years before) but one wonders what inspired him to include such a character in the JSA?

Over at Marvel, Roy Thomas wanted to revive the Golden Age Vision into the Avengers but Stan Lee wanted the new Avenger to be an android. What made Stan so adamant about adding an android character?

Going by the date (1968) here are some possible candidates:

Androids on Star Trek

• Dr Roger Korby, Andrea, Dr Brown, Ruk and the Kirk android in the episode "What Are Little Girls Made Of?" (1966) [This is my high favorite as the android characters struggle with emotions in this episode.]
• The Norman, Alice, Herman, Barbara, Maizie, Annabelle and Trudy series androids and the Stella Mudd androids in the episode "I, Mudd" (1967)

Androids on Lost in Space

• Verda, a gynoid in the episodes "The Android Machine" (1966) and "Revolt of the Androids" (1967)  
• Raddion, a male android in the episode "The Dream Monster" (1966)  
• The IDAK Super Androids in the episode "Revolt of the Androids" (1967)  
• The Industro Mini Robots in the episode "The Mechanical Men" (1967)  
• The Xenian Androids in the episode "Kidnapped in Space" (1967)

I picked these shows as the robotic characters were specifically called Androids on the show AND they both were somewhat popular at the time. The term android had been around for a long time, but I feel some specific pop culture reference got Fox and Lee thinking on the same frequency at the same time. Another possibility, given the emphasis on cold, emotionless personality in both characters, is Spock as ComicsBeat.com suggests. That would point the finger at Star Trek as the inspiration for the character type.

If anyone has any further insights to this mystery, please feel free to chime in in the comments section down below!

— Jim

4 - Astro Boy

First appearance: Shonen Kobunsha Magazine (April 1952)

Astro Boy was originally a Japanese manga series created by Osamu Tezuka from 1952 to 1968. In 1963, the manga was adapted as an animated television series. It was this series that, when imported by NBC in 1963 brought the character to the attention of American fans.

In the series, Astro Boy is created by Doctor Tenma (or Dr. Astor Boyton in the English version), sold to a circus then rescued by the head of Ministry of Science by kindly Professor Ochanomizu. At the MoS, Astro Boy’s full superpowers are discovered: Super-strength, flight, laser eyes, super hearing, high IQ and a retractable machine gun. He uses his powers to fight crime and evil human hating robots.

While maybe not as popular now, the series has an enduring appeal. Over the course of time, the manga has sold 100 million copies and IGN named the 1960s series as the 86th best animated series, and called it the first popular anime TV series.

As to the series legacy, it’s hard not to see a some of Astro Boy’s influence in Big Hero Six.

— Jim

3 - Silver Age Robotman

First appearance: My Greatest Adventure #80 (June 1963)

Earlier in the countdown, we talked about the T.H.U.N.D.E.R. Agents (and their resident robot) reaching a smaller audience than the super-heroes published by Marvel and DC but having an enormous impact. It's something we could also say about the Doom Patrol, despite their adventures coming from within staid, conservative DC Comics itself. Sure, the DP graduated from a starring role in My Greatest Adventure to having that title renamed after them — but, by 1967, it had slowed to bi-monthly, then it became a reprint title after the main characters were killed off, and finally the series was canceled in 1968. The Doom Patrol appeared largely forgotten except for the valiant efforts of Paul Kupperberg to resurrect them in various forms. By the mid-'80s, Kupperberg managed to get a new version of the team into their own series for the first time in 20 years. DC has canceled and relaunched them numerous times since then, but rarely have they stayed gone long. The one constant in the Doom Patrol, whatever their form, is Cliff Steele — the Silver Age Robotman.

Let's not call him that, though. For one thing, he doesn't seem to like it. In Grant Morrison's game-changing run on Doom Patrol, asking people not to call him Robotman is Cliff's most often repeated line of dialogue. For another, it's rarely used in his Silver Age appearances. Brian Cronin of Comic Book Legends Revealed seems to think his original alias was Automaton, though I'm skeptical. As Cronin points out, he's called "Robot Man" or "Robotman" about as frequently as he is "Automaton," starting from the beginning of the DP stories. The main characters almost never use each other's super-heroic names, a point the plot of Doom Patrol #90 (September 1964) hinges on. My guess is writer Arnold Drake was merely giving characters something descriptive to call Cliff, especially those characters who didn't know him personally. Shouting "Robotman" or "Automaton" at him would be a bit like blurting out, "Hey, cripple!" or, "It's that gimp!"

Which brings us to the best reason of all not to call Cliff "Robotman": It's a bit of a slur. And that's saying something when you consider the Doom Patrol routinely describe themselves as "freaks."

Self-image is a big part of the Doom Patrol in all its incarnations, especially for Cliff. Over the years, his robot body changes frequently enough — usually with every relaunch — that he's become a stranger in his own metal skin. During the original 1960s run, he often finds himself losing limbs and torn apart (as do many robot characters in the name of shocking readers).  For Cliff, it doesn't stop there.  He also undergoes more unsettling transformations, from being rolled flat to melted down to having his legs twisted into a drill. He even has his physical identity usurped by Madame Rouge (a shape-shifting impostor) and by the Chief himself when he dons a Robotman-like suit. Grant Morrison has called him a whole-body amputee, a succinct appraisal that puts the focus back on the Doom Patrol members as representatives of the handicapped. In Morrison's first issue of Doom Patrol, February 1989's #19, artist Richard Case memorably depicts Cliff smashing his face against a brick wall as he explains that he doesn't experience touch or smell. That demonstration drives home the body issues that have always lurked in the subtext of Cliff's "freakishness" and establishes his robot body as less blessing-or-curse than prosthesis-or-prison.

Despite his internal struggles to hold onto an identity without a body to anchor it (or perhaps because of it), Cliff Steele remains one of the best-liked characters in the DC Universe, both in-story and by readers. We can attribute much of that to his everyman qualities. He's often the viewpoint character for the strange and confusing challenges the Doom Patrol face, and his lack of a fixed physical identity may make it easier for readers to imagine themselves in his place in the story. Though he was once white and male (and still is, in many ways), the physical elements that defined him thus are long gone, leaving behind a robotic shell any of us can project ourselves into as readers. Without skin, without sex organs, would those parts of our identity even matter any more? They certainly matter less to Cliff Steele (however much that may trouble him), and that allows us to imagine ourselves in his place, to identify with his unimaginable tragedy.

— Scott

2 - Golden Age Robotman

First appearance: Star Spangled Comics #7 (April 1942)

There have been many heroes to bear the name Robotman, but the first was Robert Crane, a character created by Jerry Siegel and Leo Nowak in 1942. While working with Chuck Grayson, his assistant, Crane is attacked and killed by bandits trying to steal his inventions. In an attempt to save Crane’s life, Chuck transplanted Crane’s brain into the body of a new robotic prototype they were working on. This surgery was successful, and Crane was able to live on in the body he called Robotman.

Two things of note here:

First, Robotman isn’t technically a robot. He’s a cyborg. However, that term wasn’t coined until 1960 by real life scientists Manfred Clynes and Nathan S. Kline.

Second, Robotman was not the first cyborg character in comics. He is predated by the Centaur character Iron Skull, who appeared in Amazing Man Comics 5 in 1939.

Be that as it may, I believe the reason Robotman is ranked so high here on our survey beating out other Golden Age robots like Bozo, Mr. Atom and Dynamic Man (all personal favorites of mine) is because he appeared in the 50’s in the pages of Detective Comics and then again during the Bronze Age in a few 100 Page Giants.

On top of all that, Golden Age salvage expert Roy Thomas brought the character back in the pages of All-Star Squadron where he served as a team member for many issues.

He was even involved in the first meeting of what would one day become the Justice League of America…

…but this first meeting/mission was suppressed from public knowledge. (Justice League of America 144).

As I mentioned, Roy Thomas makes great use of the character all during his All-Star Squadron run during the 80’s starting with issue 1 (1982) and culminating in a full issue origin story in issue 63 (1985).

At the same time, the current status of Robotman is revealed in DC Comics Presents 31 (1981) in a backup feature Whatever Happened to Robotman? It’s revealed that Robotman has been trapped underground for 20 years, in suspended animation. A sudden boost of energy awakens him into the modern era.

Where he discovers his old lab assistant Chuck Grayson, who was suffering from an incurable brain disease, bequeathed his body to Crane so he could regain his humanity. With his humanity restored, he doesn’t make many more appearances in the modern DC Universe aside from a few cameos in Geoff Johns’ Stars and STRIPE (which was in itself a tip of the hat to the old Star Spangled Comics both heroes used to appear in).

One of the cooler things about Robotman was how often he was getting dismantled or blown apart in his stories, and yet would keep on working. It was nothing to see him separated from his arms or legs and still kicking crime’s ass.

I suppose it's unlikely that we will ever see a modern day revival of the Robert Crane Robotman (as more readers today are familiar with the Doom Patrol character with the same name), but comics (and comics writers) are unpredictable when it comes to nostalgia. There might be a few more Golden Age Robotman stories still to be revealed.

— Jim

1 - Ultron

Yes, Ultron.

Go ahead and call us biased by the imminent premiere of Avengers: Age of Ultron if you must, but when we passed around our list of candidates for this countdown, his name kept coming up. Everyone ranked him near the top of their personal lists. Talk to anyone who reads comics, and you'll find they have an Ultron story. Or at least an Ultron moment. Jim's mentioned mine as one reason he asked me join his blogging collective, so I'm going to share it with you.

Before I do, let me point you to this great recap of Ultron's evolution through the years and to Trey Causey's indispensable short list of the best Ultron stories and where to find them reprinted.

When I was a kid, before there were comics stores in area and a couple of years out from discovering conventions and mail order, back issues may well have not existed. Comics were a rolling target, a perpetual now — the way television used to work. If you missed an issue and weren't lucky enough to have a friend who'd picked it up, you were never going to read it. (That's why Marvel Comics did so much recapping, kids! It's not just that Matt Murdock loves to tell the story of how he was blinded as a child.) In that world, stories published before you started reading a title were a bit exotic. With no internet and few fanzines, you couldn't even read synopses, so you had to glean what you could from footnotes and in-story references. Some things you got the gist of and didn't worry much about. The Hulk had been an Avenger briefly, the FF didn't always wear costumes — that sort of thing. Other things came up frequently enough, in such reverent tones, even a child could tell they were significant. Ultron was one of those things. Like the great blizzard before you were born or when you lived in a different city as a baby. You knew these things happened (in an academic way, at least) and were always fascinated by them, but you never expected them to happen to you in the present day.

I was nine years old when I read my first Ultron story in Marvel Two-in-One #92 (featuring two other robots who made our countdown!). I'd been reading Marvel Super Action sporadically, absorbing its classic '60s and '70s Avengers tales, but I'd never read an actual Ultron story. I knew Hank Pym had created him, knew he'd picked up an adamantium body along the way, and knew he was a top-tier Avengers baddie who grinned like a murderous jack-o-lantern through his various schemes. I also knew he'd been destroyed. Gone, done, in the past. Not coming back. Because that's how you think comics work when you're nine.

When I saw Ultron staring out at me from the drug-store rack on that Two-in-One cover, I was hypnotized by him, as surely Tony Stark and Jarvis had been. I bought that issue and devoured it one page at a time, not flipping ahead lest I spoil the suspense. Ultron had programmed Jocasta to resurrect him! He was back, and the Avengers had no idea, because it had happened in Marvel Two-in-One! Even the FF didn't know, because, you know, it had happened in Marvel Two-in-One! The only heroes standing in his way at the end of this issue were the Thing, Machine Man, and Jocasta. No Thor! No Iron Man!

As the weeks ticked by, I became increasingly convinced the Thing would die in Marvel Two-in-One #93. My kid-brain couldn't see any way around it. "Well," I thought, "at least I'll be here for the death of one of the Fantastic Four. I won't have to read idly along as Reed Richards recalls that significant event happening 'some months ago' and follow the asterisk down to the footnote. I'll know. I'll have been there." (At 41, I've lived through the deaths of too many of the Fantastic Four.)

Four weeks passed. Or maybe it was five. Either way, I knew it was time for the second part of that Ultron story, and I was determined not to miss it. The church in my small town was having a youth program that week, so I spent the morning in a Bible class, my heart filled with dread and anticipation. I'd looked at the situation from every possible angle, and still I saw no way out for the heroes. My mom picked me up and took me to the local drug store, where the new issue of Two-in-One waited to relieve me of my anxiety. I read it as carefully as I had the first part, taking in Ultron's villainous majesty, reassured that I was indeed reading a real, true, authentic, canonical story of one of the Avengers' greatest foes of yesteryear. (He recalled past plots. With footnotes! You can't get any more legit than that.) When I reached the climax and Machine Man (!) defeated Ultron by reaching into his mouth and yanking out his robotic innards (!!), I was floored. I hadn't seen that coming. His iconic open maw had been his undoing. His defeat had been staring me in the face the whole month — honestly, since before I was born!

Even at nine, I knew he wouldn't be defeated that way again. I was also starting to get the feeling he'd be back, that I'd get to read more Ultron stories — that he could be recurring for me, just as he had been for those older readers who wrote in to letters pages and occasionally mentioned him. But even if he didn't come back, the way Ultron was defeated satisfied me. It paid off on the visual I'd found so compelling and powerful since I'd first seen him in flashback. What might have been an anticlimax ended up as a resolution.

Let's hope Avengers: Age of Ultron pays off on our collective anticipation, even if that pay-off isn't as bombastic as our imaginations have built it up to be. I'm confident it will, if only because it features Ultron.

— Scott

---

So there you have 'em — our picks for the greatest robots ever to grace the pages of comic books, stretching from an era when the term robot had barely been invented to the present day, where robots are a fact of everyday life.  Did we leave anyone out?  Rank anyone too high (or too low)?

25 Greatest Robots in Comics: Counting Down #25-21

25 Greatest Robots in Comics: #25-21 | #20-16 | #15-11 | #10-6 | #5-1 | Honorable Mentions

Welcome to a weeklong feature here on Flashback celebrating Friday's release of The Avengers: Age of Ultron.  In honor of Ultron's cinematic debut, we reached out to the entire Flashback family of contributors — Jim Shelley, Scott Simmons, Trey Causey, Stevie B!, Caine Dorr, and Ed Love — asking for suggestions on their favorite robots in the comics.  We then compiled a master list and divvied up votes among the dozens of contenders.  When the basic math settled, we were left with two dozen plus one of the greatest robots to ever appear in the pages of comic books.  (We were actually going for a top ten list, but — well, there were too many 'bots we had things to say about to stop there.)  So grab a coffee and settle in as we count them down, five a day, all this week.

25 - L-Ron

First appearance: Justice League International #14 (June 1988)

Kicking off our robot countdown is an unlikely hero from the pages of Justice League International — L-Ron, the group's reluctant majordomo. When he first appeared, L-Ron was one of an assortment of comically named robotic assistants to armored intergalactic confidence man Manga Khan. While Hein-9 and K-Dikk had brief moments to shine, L-Ron stole the show in his scenes, lavishing outrageous praise on Manga Khan in fear of winding up on the scrap heap if he didn't keep the master's operation running smoothly. When Khan made a return to JLI later in the run, he traded a rebuilt L-Ron to the League in return for Despero, who'd been devolved into an developed fetus. (That happens a lot in super-hero comics.) For a while, L-Ron busied himself serving the League as dutifully as he had his old master, much to their annoyance. When a restored Despero returned to menace the team again in "Breakdowns," heralding the end of the J. M. DeMatteis/Keith Giffen era, L-Ron saved the day by swapping minds with the hulking villain, leaving Despero trapped in L-Ron's spindly robot body — which was promptly mistaken for a duck by a hunter and shot to pieces.

Making the ultimate sacrifice.

In Despero's body, L-Ron went on to become properly extreme, picking up some guns and a bandolier as he went on to star in Justice League Task Force, the 1990s secret strike team of the Justice League. He returned, inexplicably back in his old robot body and serving Max Lord in the capacity he'd once served Manga Khan, in Formerly Known as the Justice League. Shortly afterward, he returned once again, this time (equally inexplicably) bent on wiping out mankind as a member of the Robot Renegades in Duncan Rouleau's late-'00s Metal Men mini-series.

How come L-Ron's been so many different things in his many appearances? Jim may have hit on it the other day when he compared him to Woodstock from Peanuts — and not just because they're both small and yellow. L-Ron began as a joke, his name a play on science-fiction writer (and Scientology founder) L. Ron Hubbard and his personality a spoof of ingratiating robot (and non-robot) majordomos going back at least as far as the fool in King Lear. Like Woodstock, he's pretty much an empty vessel onto which comedic situations can be layered. Snoopy has a personality; so do the various Justice League members. The primary personality trait of both Woodstock and L-Ron is that they're game for following the comedic lead of their partners. When Justice League got sober and serious in "Breakdowns," L-Ron got the memo and saved the day heroically. When the '90s got extreme, he got a gun and a bandolier. And when nostalgia came blazing back, so did L-Ron — in his original, lovable robot form from the '80s.

— Scott

24 - Computo

First appearance: Adventure Comics #340-341 (January-February 1966)

Preceding Ultron by many years, Computo is the first of the “created by a hero (Brainac 5) but then becomes an artificially intelligent albatross” character. A random purchase at Charlotte Comic Con, the second part of Computo’s premiere was my first encounter with the Legion of Superheroes - What a mind-sploder it was! First, my young brain had to process so many new heroes – the Legion roster seemed endless! Second,  I was stupified when one of Triplicate Girls triplets is killed (?!) in the story, the rocket her body to a graveyard with other dead superheroes! (What Tom Foolery! My 9 year old mind reeled at this idea. What type of comic book was I reading where heroes died so regularly?)

Hands Up - Who wants to see the story of Hate Face?

The answer it turns out was: A damn good one. I became a rabid LoSH reader after reading this issue. (Though the issues I would pick up after reading 341 were Bronze Age issues and the new costumes made it difficult to recognize everybody…)

Unfortunately for me, after causing so much chaos in that story, it would be decades later (during the Giffen/Levitz era) before I would see Computo again. After that, Computo has some minor appearances in the Post Crisis Legion universe, but often it’s as a functionary character. His only appearance in the DC New 52 is in name only.

To this day, one question remains for me: Why was Computo so forgotten and unused during the Bronze age? (He never shows up during the Grell/Cockrum era). Was it the fact that he killed Triplicate Girl such a turn off for fans that fan/creators didn’t want to use him?

— Jim

23 - Jocasta

First appearance: Avengers #162 (August 1977)

The only female robot to make our list, Jocasta is (unfortunately) most notable for her insecurity and for getting killed. She first appeared as the creation of the villainous robot Ultron. Seeking the ultimate Oedipal vengeance on his human creator, his "father" Hank Pym, Ultron crafted his own robot and set about programming her with the brain patterns of Pym's then-wife Janet, also known as the Wasp. The process was intended to kill Jan, leaving Ultron with a freshly minted bride and his father a widower. Hence her name: Jocasta, the mother of Oedipus who went on to become his wife.

And that's just the beginning of Jocasta's lurid take on femininity down through the years. The Avengers manage to save Jan in Jocasta's first appearance, and her grandfather Hank ends up taking her home to his basement to examine and attempt to fix her — putting her at the center of Hank's soon-to-deteriorate marriage. When Hank does reactivate her, she and the Avengers discover she's programmed to rebuild Ultron. This sets a predictable pattern for her subsequent appearances: Jocasta is reactivated/repaired, agonizes over her worth and her place among humans, pines over a (usually robotic) crush, falls into an irresistible compulsion to rebuild Ultron, and is ultimately destroyed, usually taking her creator-husband (or some other villain) down with her.

It's a compelling tale, and one I've enjoyed more than once through the years — her two-part team-up with Machine Man and the Thing in Marvel Two-in-One #92-93 (October-November 1982) was my first exposure to Ultron — but there's something fatalistic about its repetition. More than tragic, Jocasta often comes across as pathetic — a perpetual victim, the battered wife in an epically dysfunctional family who can never escape her circumstances. She's literally got bad programming in her head that keeps her coming back to her tormentor every time she gets close to a successful relationship with someone else, usually to find herself beaten to death at his hands.

Mix in her "sexy robot" design, and you have a character who is perpetually an object of desire, always unattainable, and tinged with the danger of the ultimate unhinged ex to whom she's always devoted. As much drama as this has generated over the years, it's hard not to long for a permanent escape on Jocasta's behalf — at least something more permanent than the revolving door of comic-book deaths she endures every time she's shuffled out of the Avengers line-up. Maybe it's that empathy for her that makes her so compelling and brings us back to the well for her tragic end every time.

— Scott

22 - M-11

First Appearance: Menace #11 (May 1954) (from whence comes his name!)

The Golden Age origin of M-11 has our hero going on a robot killing spree that would have made Bronze Age Ultron cringe.

Click to enlarge the robotic slaughter.

However infamous this appearance was, Roy Thomas saw something worthwhile in the character and inspired writer Don Glut to revived him (and several other older Atlas heroes) in the pages of What If...? 9. While there are a lot of great stories in that original What If...? run, this one stands out because as it turns out, it wasn’t really an alternate universe, but rather an unrevealed story from Marvel’s history.

Bronze Age lampshading.

Thomas most likely revived M-11 as a way to provide an appropriate analogue for The Vision (as the story suggests at the end.)

Decades later (2006), writer Jeff Parker would reintroduce modern readers to these characters in his excellent mini-series, The Golden History. Parker does a wonderful job bringing the characters into the modern era without totally undermining their original concepts. (Unlike, for instance, J. Michael Straczynski’s The Twelve.)

Based on the success of Parker’s original mini, the Agents of Atlas returned in several other mini-series, but ultimately, they got lost in the noise of events and modern reader apathy in anything that’s not Avengers or Batman.

NOTE: If you have not ever read the original Parker AoA mini-series, I _highly_ recommend getting the hardcover edition as it not only reprints the original What If...? #9 story, but also includes the Golden Age appearances of the characters.

— Jim

21 - Doombots

First appearance: Fantastic Four #5 (July 1962)

The thing about robots, as you'll see throughout our countdown, is sometimes there's more than one of them.

When Doctor Doom makes his first appearance in FF #5, he evades capture at the end of the story in a twist readers couldn't have seen coming: He was never there in the first place! The "Dr. Doom" in that story turns out to be a highly sophisticated robot of the real Doom's design. Doom himself has been pulling the strings from a distance, staying safely outside the reach of his enemies. Doom's stand-ins, dubbed "Doombots," became recurring fixtures after that, even showing up in his early cartoon appearances.

In the mid-'80s, however, John Byrne let a genie out of the bottle when he realized the passive-aggressive narrative power of the Doombots. Relatively fresh off an acrimonious break-up with Chris Claremont and The Uncanny X-Men, Byrne was writing and drawing Fantastic Four, making him the ultimate authority on all things Dr. Doom, when Claremont used Doom in a three-part story in X-Men #145-147 (May-July 1981). In it, Doom pursues Storm romantically and tolerates the usual disrespectful shenanigans from pinball-themed hitman Arcade, most notably Arcade striking a match on Doom's armor. Two years later, in Fantastic Four #258 (September 1983), Byrne had Doom himself destroy a Doombot for allowing Arcade to treat it with such indignity — and so was born the writerly tradition of defanging Dr. Doom appearances by retconning them into Doombot appearances.

Walt Simonson took this to the next level in Fantastic Four #350 (March 1991) by introducing a new version of Doom claiming to be the original who insists that most of his appearances through the years have been Doombots! In the years since, writers have used Doombots as slams against runs they don't care for, quick patches over bits of continuity they want to ignore, and even a mechanism for elevating Doom's reputation. If Doom does anything less than impressive, it may be the work of a mere Doombot.

Curiously, the reverse could also be true: Doom's robots may be waging the successful campaigns, and Doom himself may be the one prone to emotional outbursts and "out of character" moments leading to his defeat.

In any case, one thing is certain: As long as comic-book writers have human pride and favorite stories, the Doombots will always return.

— Scott