The Relaunch of Paper Comic Deathwatch?

Some of you who started following this blog in the last year may not be aware of a series of articles had called Paper Comic Deathwatch. The idea was that on a semi weekly basis, Caine and I would examine trends in comics and computers/phones that we felt were leading to paper comics practically disappearing. At its peak, the series was one of our most popular, never failing to get links from other places. We even got a bitching logo for the series from Friend of Flashback Sean Kleefeld!

As a series, we had some predictions about the future of Digital Comics many of which have come true (most notably, the wild success of the iPad a year before it was even announced.) And the Decade Comics Went Digital Post has been used as a resource in several college classes I've been told (via email)

But we stopped using the Paper Comic Deathwatch moniker around January of 2010. Partly because I saw a lot of people not only jumping on the band wagon with similar themed articles, but because as the digital doomsday of comics began to creep closer and closer, what had started out as a fun, tongue in cheek series meant to goad companies into embracing digital distribution was becoming more and more like slowing down to view a car accident on the highway.

It's one thing to suggest that all books and comics will one day go digital without worrying about the implications of that reality. It's another to see struggling retailers and book dealers in a life or death struggle against juggernauts like Apple and Amazon.

Case in point: Borders has now joined Barnes and Nobles in pulling 100 of DC's Most popular graphic novels from its shelves. 

This is all due to Amazon cutting an exclusive content deal to distribute with DC for the exclusive rights to certain graphic novels in digital format.

Let's evaluate that - the two largest book chains are concerned not because DC is exclusively selling all paper books through Amazon, but digital books. And to protest the point, both companies (who aren't doing great sales wise or in the stock market) are going to stop selling said books in a medium that is completely different!

That strikes me as very foolish. My heart goes out to people working for both booksellers. I don't think your proprietors are using best judgement in a time when they should be stepping carefully.

Have a great weekend.

- Jim

Flashback Five on The Aquaman Relaunch

Welcome back to FB5! Last time Matt broke away from the usual "flashback" part of FB5 to bring you a review of The Flash no. 1 from the nu 52 line-up. Now we're going to dive right in to part 2 with a look at Aquaman no. 1!

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You know, while I never considered Aquaman to be the coolest of superheroes, I never thought he was this ultimate example lame that everybody seems to really get off on making him out to be. Nor did he really need a lot things to compensate for that in order to make him more "bad ass". Honestly, I prefer him to a jerk like Namor and when Aquaman dropped a whale on the head of "Imprerius Rex", I laughed out loud. If Aquaman had been in his classic costume when it happened, it would have been a perfect moment. Anyway, let's dive into 5 things I liked about Aquaman no.1!

1. The opening sequence. 



Aquaman flipping a truck with crooks making a get-away over his head using his trident is an idea for an action moment so simple yet so cool I really have to wonder why nobody else on an Aquaman book ever attempted it.

2. Ivan Reis. You know, I think Reis might be a better fit for Aquaman than Green Lantern. Something about Reis's style just really brings out the character and his costume. Speaking of his costume out all the pop-collar brigade I think Aquaman is the only hero it really even works for.



Perhaps because aside from the pop-collar no other elements of his look have been screwed with. Just continuing the gold scales up to his neck actually kind of works.

3. The restaurant scene.
 


I usually do not enjoy a lot of aggressive "meta" going on in comics. One of the many reasons that doesn't appeal to me at all is because it leads to characters in the story world reacting to the fantastic things they encounter like fans sitting around talking on a message board about comics instead of people who are living these events. However, in the instance of this issue I can forgive it because I actually found myself enjoying how it directly tackles all the various pre-conceived notions about Aquaman and lets the character himself answer them. I even liked the biology babble explanation of how the whole "talking to fish" thing actually works. (Hint: Fish can't talk.)

4. The good Geoff Johns is in attendance. The bad Geoff Johns isn't...yet. I'm not a fan of Johns and the reason why is that I've often felt there are two Geoff Johns. One who is a sincere DC superhero fan that has a lot of genuine love for those characters. Then there's this other Geoff Johns who seems like a 14 year-old hyperactive horror movie fan that has decided he wants everything to be blood and gore like a Hellraiser movie regardless of genre or context. Sometimes you get one or the other, or you get both even within the span of a single issue. This time out though, it seems like the good Geoff sent bad Geoff to go get coffee while he wrote the script for the issue. My only quibble is Aquaman having angst about being king and not wanting to go back to Atlantis but I have to wonder if that has something to do with events that will be revealed later on that would have it make a bit more sense.



The issue ends with a shot of an evil humanoid shark creature emerging out of the water and the more skeptical part of me has the sneaking feel that issue 2 is where bad Geoff will show up and the opening page will be an on-camera spread of the creature gnawing on entrails or something.

5. Cover logo. 



Okay, it's just a logo. But We were talking in the comments to another article about how bland a lot of the new 52 logos looked, but I thought this was one of the better ones. Not as good as Aquaman's classic title logo I like that this still has his A symbol and it's not just letters floating sideways looking like they are being sucked up by the top right hand corner of the book.


I think the thing that really strikes me about both of this and The Flash no.1 is that neither of them are making apologies for the character and I can't help but feel so many other books in the 52 line-up basically are on one level or another. Both of these books without gratuity or gimmicks are doing their best to showcase why these characters are cool, making them look good in process with some really appealing superhero artwork. I really wish more of this relaunch was akin to these two issues.

- Matt

The Return (Again) of the MLJ Heroes

Sunday at The New York Times broke the news that Archie Comics is going to return to publishing their own Superhero.

From the NY Times:

In spring, the company will bring back its line of superhero characters in a subscription model that will offer an original six-page story and access to an archive of past adventures....

...Besides the possibility of reaching an audience beyond the comic book stores, there was a second advantage to this digital model. “Financially, it makes sense,” Mr. Goldwater [the co-chief executive of Archie Comics Publications] said. “We are not going to have any print costs. To be a slave to printing prices when you’re starting a new venture is a tremendous concern.”



For those of you new to old comics, this would be the a lot of the old MLJ heroes (Black Hood, The Shield, The Hangman) as well as some of the characters introduced by MLJ in the Silver Age (The Fly, Jaguar, etc..)

While I have some fond memories of reading Jack Kirby's Fly in the old Archie Digests I used to pick up as a kid, I don't have high hopes for this forthcoming incarnation. Mostly because this group of characters has been relaunched several times recently - most notably with the !mpact line at DC in the 90's



and just a year ago at DC



I have to think the dismal sales on this last relaunch is part of the reason that Archie is going with a Digital Subscription sales strategy with this new effort. Not sure how that subscription thing will work out for them, but it does sound like it might be a cheaper way to get access to a huge library of old comics. The only caveat is comic fans tend to like to own what they read.

Archie’s latest digital initiative will be similar to Netflix, Mr. Goldwater said. “It will be a nominal monthly charge with access to new comics and thousands and thousands of pages from the archive.”

What I think is interesting is that more and more, we are reading about small publishers who are going ONLY with digital sales. (Slave Labor Graphics just made the same switch.)

Which begs the question - which of the Front of Previews crowd (Boom, Dark Horse, Dynamite, DC, IDW or Marvel) would you pick as the first to also quit with the Paper Comics?)

Anyway, since this news is a bit of a repeat, I'm going to repeat today's Free Comic with this reposting of Pep Comics 1 



Enjoy!

- Jim

Monday's Post will be late

There comes that time when you realize you ain't gonna make your post deadline.
For me, that time is today.

I'll have a full post up tomorrow.

- Jim

High Rez Review | Teen Titans #1

Today, Caine brings us another Hi Rez Review. This time of the newly relaunched Teen Titans.

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Written by: Scott Lobdell
Pencils/Cover by: Brett Booth
Inks by: Norm Rapmund
Colors by: Andrew Dalhouse

TEEN TITANS
Tim Drake, Batman's former sidekick, is back in action when an international organization seeks to capture, kill or co-opt super-powered teenagers.

As Red Robin, he's going to have to team up with the mysterious and belligerent powerhouse thief known as Wonder Girl and the hyperactive speedster calling himself Kid Flash to stand any chance at all against a living, breathing weapon with roots in another world! They – along with a few other tortured teen heroes – will be the Teen Titans

With Lobdell, Booth, and Rapmund on this book together you might think you'd been transported back to the nineties and were reading a WildStorm book (scary for some, as that decade represents a period of time where many stopped reading comics all together - that is also the last decade that the "definitive" Titans book/run was published) and I loved every single panel of it!  This book is definitely going on my "alert list" (what people used to call "pull lists" before iPads) so I'm sure not to miss an issue!

IT SUFFERS
I'm saddened to report that the book does suffer from the obvious editorial mandate to use the first issue to introduce the most prominent characters via narrative text boxes.  It gives the book a very generic feel as if we really haven't delved into the story much at all.

Also, this means that we have yet to be introduced to any of the new and unique characters that will be on the team yet which is a shame.  Finally it suffers from how they introduce the boy of steel.  I don't want to give anything away but let's just say they aren't doing the character justice with his cloned introduction.

IT SHINES
I'm happy to report that this book does shine.  This is clearly Tim Drakes book.  DC had stated that all of the "Robins" (though they clearly didn't include Stephanie) will have a prominent role in a comic book series and TEEN TITANS was really late on their press release style list of books announced (they were announcing a couple books a week in the beginning) in the DCnU.  Current Tim Drake fans were up in arms for weeks but they should all be fine now.

The artwork is very well situated to the storytelling and the colors chosen for the characters really do well to keep them separate and easily identified.  Each character's look has been updated, and not just for style purposes either but utilitarian purposes have been taken into account with the designs.

Tim is the strong leader (or will be).  Bart is the impulsive one (or at least I assume it's Bart).  Cassie is strong yet unsure and Conner is very young, the member with the most power and the least experience.  All of the pieces are there for great stories for titans fans of (hopefully every era).

APP THAT
DC recently redesigned it's iPad app from the ground up.  The different sections have been broadened and restructured to be much more user friendly.  If you've been debating going digital there's never been a better time.

Have a great weekend!
~Caine

Flasback Five on the Relaunched Flash

Today Matt gives his thoughts on why he likes the relaunched Flash!

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Anyone who knows my writing on the blog has a pretty good idea that I do not have a lot of love left for what currently passes for DC Comics, which I usually refer to as Didio Comics. For all the hype and praises of the relaunch I have remained unimpressed. However, now I'm actually glad to say that I have found at least two notable exceptions to what has so far seemed to be for the most part little more than yet another round of eye-rolling attempts at being "edgy". These comics have stood out to me because these first issues did NOT do that. What I feel they did instead was to present a cool superhero character doing awesome things with some good looking art held together with a solid story to make you curious what happens next issue. Unlike so many others in the line they feel more like superhero comics. Not horror movies. Not thinly veiled porn. Not "reality" TV. Not a storyboard pitch for the movie.

So I'm breaking the actual "flashback" part of FB5 just this once to give you five things I liked about The Flash no.1!


I have to admit that when it comes to the Flash I'm more of a Wally West guy. But that is not at the expense of Barry Allen or any kind of real disdain for him. But I did enjoy that he got to die a hero in an ultimate heroic act and that we were following a character who was inheriting that mantle from him, both living the promise and shouldering the burden of what it meant to bear the name. But I think I can say that with the new Flash no.1 even if you don't consider yourself a Barry Allen fan this is just might be a good time to give the guy another chance even if you miss Wally.

1. Francis Manapul. I'm going to go out on a limb and say that Manapul might be one of the best artists to fit the character since the late Mike Weringo.



That might seem like an odd choice given the watercolor look to his art but there's an energy to his pages that I feel captures the feel of speed and draws you into the Flash's world. I think he even manages to make the Jim Lee redesign of the costume work. Granted the bulk of the changes are basically the requisite gratuitous seams, raised emblem, and chinder-wear (you MST3K fans know what I mean by that). Kind of makes me wonder how the rest of the heroes would have looked if the changes had been reeled in to just touch ups and tweaks. I do like that Manapul makes the seams glow and become one with the speed effects coming off his lighting bolt and trim.

2. The title page. There's a cool retro vibe to this that I really love.

The Flash's running pose is awesome and I love how the text and images are bursting out around him. A really nice piece of graphic design that kicks the issue off well. I think it would make a great poster!
3. The suiting-up page. You know, I've never actually enjoyed the whole thing of the Flash costume coming out of a ring.



Having it be a ring just played a little too close to Green Lantern for me plus I just kind of thought the wrinkly suit wobbling out of it looked a bit too silly. However, one of the things that I love in superheroes is the idea of transformation. Whether it's something as simple as Clark Kent's shirt-rip or the awesome henshin effects of Japanese superheroes like Kamen Rider, I love those moments where the seemingly ordinary person summons, puts-on, or reveals their extraordinary form. Their hero form. The series of panels where Barry suits-up is that kind of moment and it rocks!

4. The story. While the story is not the Earth-shattering event of the century I thought it was a solid start that does a great job of establishing who Barry Allen is without even losing the pace of the book. You're brought into Barry's everyday life and then he's thrown in into his latest case all the while the issue showcases The Flash in action and ending on a cliffhanger that makes you want to find out what happens next but at the same time the issue is a solid unit unto itself. It doesn't feel like the first ten minutes of a movie that you're being told you have to come back next month to see the next 10 minutes of.

5. The colors. One of the many things that puts me off a lot of current books is the constant use of muted color schemes. Whether it's toning the costume colors way down or having the story exist in this endless sea of greys and browns, or every daytime scene feeling like it's happening at sunset. In other words, I like seeing superhero comic books that aren't ashamed of vibrant colors. I feel the coloring for this issue conveyed the intent of the story being told while still having enough pop to them to fit a superhero comic.




Next Time: Grab your scuba gear because we're diving into the second part of this 52 review: Aquaman no.1!

- Matt

A Study in Scarlet

From Bleeding Cool comes the news that Marvel is going to introduce a new Scarlet Spider character in a story that dares readers to guess his true identity!



Y'know, as much as I love me some mystery stories, sometime Flashback contributor Trey Causey and I were wondering why is it that comics seem to only tell the same type of mystery?

Who is this mystery character?
 
I can understand wrestling using that worn out plot device because there ain't a lot of time to spend on narrative in wrestling, but comics should be different, right?

Still, more and more, we are treated to a new spin of the Who is Ronin!? type of storyline. Say what you will about Identity Crisis, but at least Brad Metzer took a different tack with his mystery. (Albeit, his resolution was utterly ridiculous.)

What's sad is that the original Scarlet Spider/Ben Reily storyline had a lot of real mystery to it back in the nineties other than who the character was. (At the time, we all knew it was the clone from Spider-man 149)



The reasons the original return to the Clone Saga storyline overstayed its welcome have been WELL documented at http://lifeofreillyarchives.blogspot.com/. Still, that saga still has its fans and this return to the well may draw some of them in to see if Ben Reilly is returning to Marvel continuity. I just have to wonder if in a comic universe where there are now multiple Spider-girls, Ultimate Spider-men and Spider-women, will a Scarlet Spider story be just more noise on the wire?

I think the real mystery here is going to be what is Marvel going to do next to try and pull readers in when a mystery character in a hoodie doesn't work?

With that, enjoy today's appropriate Free Comic: Sherlock Holmes from Charlton Comics.
[ Sherlock Holmes 1 ]



Enjoy!

- Jim