25 Greatest Robots in Comics: Counting Down the Top Five!

25 Greatest Robots in Comics: #25-21 | #20-16 | #15-11 | #10-6 | #5-1 | Honorable Mentions

All week, we've sung the body electric in anticipation of today's U.S. release of Avengers: Age of Ultron.  Now, at last, it's time to see whom the Flashback Universe contributors have selected the five greatest robots in comics.

5 - Vision

First appearance: Avengers #57 (1969)

Oh Vision, you started out so cool and simple. You were built from the body of the original Human Torch and your mind was based off of the recorded brainwaves of Wonder Man. (Okay, maybe simple is a stretch, but it was sort of cool.)

However, over the years, your origin has become such a jumbled mess of retcons and revamps that an entire mini-series (Avengers Forever) had to be written to explain who you are. And while Avengers Forever contains some very fine parsing of the Marvel Universe and history by Kurt Busiek, its ultimate resolution for the Vision’s origins is less than satisfying. The quick version is this:

Immortus, the Absolute Master of Time, used the Forever Crystal to create a split in the timestream which allowed there to be TWO Human Torch androids in Professor Horton’s lab. One that Ultron took to build the Vision and one that was buried (and eventually revived by the West Coast Avengers.)

As explanations that try to meld two conflicting origins go, I would put this one in the Warm Milkshake category. It’s not insulting, but it won’t make anyone very happy either.

Honestly, fictional history aside, I’m a bit more interested in the Red Tornado/Vision connection. As well covered by the site ComicCoverage.typepad.com, there are a number of similarities between the two that make one wonder if they have a common inspiration.

Gardner Fox created the Red Tornado. Fox was no stranger to Android characters (having created Amazo years before) but one wonders what inspired him to include such a character in the JSA?

Over at Marvel, Roy Thomas wanted to revive the Golden Age Vision into the Avengers but Stan Lee wanted the new Avenger to be an android. What made Stan so adamant about adding an android character?

Going by the date (1968) here are some possible candidates:

Androids on Star Trek

• Dr Roger Korby, Andrea, Dr Brown, Ruk and the Kirk android in the episode "What Are Little Girls Made Of?" (1966) [This is my high favorite as the android characters struggle with emotions in this episode.]
• The Norman, Alice, Herman, Barbara, Maizie, Annabelle and Trudy series androids and the Stella Mudd androids in the episode "I, Mudd" (1967)

Androids on Lost in Space

• Verda, a gynoid in the episodes "The Android Machine" (1966) and "Revolt of the Androids" (1967)  
• Raddion, a male android in the episode "The Dream Monster" (1966)  
• The IDAK Super Androids in the episode "Revolt of the Androids" (1967)  
• The Industro Mini Robots in the episode "The Mechanical Men" (1967)  
• The Xenian Androids in the episode "Kidnapped in Space" (1967)

I picked these shows as the robotic characters were specifically called Androids on the show AND they both were somewhat popular at the time. The term android had been around for a long time, but I feel some specific pop culture reference got Fox and Lee thinking on the same frequency at the same time. Another possibility, given the emphasis on cold, emotionless personality in both characters, is Spock as ComicsBeat.com suggests. That would point the finger at Star Trek as the inspiration for the character type.

If anyone has any further insights to this mystery, please feel free to chime in in the comments section down below!

— Jim

4 - Astro Boy

First appearance: Shonen Kobunsha Magazine (April 1952)

Astro Boy was originally a Japanese manga series created by Osamu Tezuka from 1952 to 1968. In 1963, the manga was adapted as an animated television series. It was this series that, when imported by NBC in 1963 brought the character to the attention of American fans.

In the series, Astro Boy is created by Doctor Tenma (or Dr. Astor Boyton in the English version), sold to a circus then rescued by the head of Ministry of Science by kindly Professor Ochanomizu. At the MoS, Astro Boy’s full superpowers are discovered: Super-strength, flight, laser eyes, super hearing, high IQ and a retractable machine gun. He uses his powers to fight crime and evil human hating robots.

While maybe not as popular now, the series has an enduring appeal. Over the course of time, the manga has sold 100 million copies and IGN named the 1960s series as the 86th best animated series, and called it the first popular anime TV series.

As to the series legacy, it’s hard not to see a some of Astro Boy’s influence in Big Hero Six.

— Jim

3 - Silver Age Robotman

First appearance: My Greatest Adventure #80 (June 1963)

Earlier in the countdown, we talked about the T.H.U.N.D.E.R. Agents (and their resident robot) reaching a smaller audience than the super-heroes published by Marvel and DC but having an enormous impact. It's something we could also say about the Doom Patrol, despite their adventures coming from within staid, conservative DC Comics itself. Sure, the DP graduated from a starring role in My Greatest Adventure to having that title renamed after them — but, by 1967, it had slowed to bi-monthly, then it became a reprint title after the main characters were killed off, and finally the series was canceled in 1968. The Doom Patrol appeared largely forgotten except for the valiant efforts of Paul Kupperberg to resurrect them in various forms. By the mid-'80s, Kupperberg managed to get a new version of the team into their own series for the first time in 20 years. DC has canceled and relaunched them numerous times since then, but rarely have they stayed gone long. The one constant in the Doom Patrol, whatever their form, is Cliff Steele — the Silver Age Robotman.

Let's not call him that, though. For one thing, he doesn't seem to like it. In Grant Morrison's game-changing run on Doom Patrol, asking people not to call him Robotman is Cliff's most often repeated line of dialogue. For another, it's rarely used in his Silver Age appearances. Brian Cronin of Comic Book Legends Revealed seems to think his original alias was Automaton, though I'm skeptical. As Cronin points out, he's called "Robot Man" or "Robotman" about as frequently as he is "Automaton," starting from the beginning of the DP stories. The main characters almost never use each other's super-heroic names, a point the plot of Doom Patrol #90 (September 1964) hinges on. My guess is writer Arnold Drake was merely giving characters something descriptive to call Cliff, especially those characters who didn't know him personally. Shouting "Robotman" or "Automaton" at him would be a bit like blurting out, "Hey, cripple!" or, "It's that gimp!"

Which brings us to the best reason of all not to call Cliff "Robotman": It's a bit of a slur. And that's saying something when you consider the Doom Patrol routinely describe themselves as "freaks."

Self-image is a big part of the Doom Patrol in all its incarnations, especially for Cliff. Over the years, his robot body changes frequently enough — usually with every relaunch — that he's become a stranger in his own metal skin. During the original 1960s run, he often finds himself losing limbs and torn apart (as do many robot characters in the name of shocking readers).  For Cliff, it doesn't stop there.  He also undergoes more unsettling transformations, from being rolled flat to melted down to having his legs twisted into a drill. He even has his physical identity usurped by Madame Rouge (a shape-shifting impostor) and by the Chief himself when he dons a Robotman-like suit. Grant Morrison has called him a whole-body amputee, a succinct appraisal that puts the focus back on the Doom Patrol members as representatives of the handicapped. In Morrison's first issue of Doom Patrol, February 1989's #19, artist Richard Case memorably depicts Cliff smashing his face against a brick wall as he explains that he doesn't experience touch or smell. That demonstration drives home the body issues that have always lurked in the subtext of Cliff's "freakishness" and establishes his robot body as less blessing-or-curse than prosthesis-or-prison.

Despite his internal struggles to hold onto an identity without a body to anchor it (or perhaps because of it), Cliff Steele remains one of the best-liked characters in the DC Universe, both in-story and by readers. We can attribute much of that to his everyman qualities. He's often the viewpoint character for the strange and confusing challenges the Doom Patrol face, and his lack of a fixed physical identity may make it easier for readers to imagine themselves in his place in the story. Though he was once white and male (and still is, in many ways), the physical elements that defined him thus are long gone, leaving behind a robotic shell any of us can project ourselves into as readers. Without skin, without sex organs, would those parts of our identity even matter any more? They certainly matter less to Cliff Steele (however much that may trouble him), and that allows us to imagine ourselves in his place, to identify with his unimaginable tragedy.

— Scott

2 - Golden Age Robotman

First appearance: Star Spangled Comics #7 (April 1942)

There have been many heroes to bear the name Robotman, but the first was Robert Crane, a character created by Jerry Siegel and Leo Nowak in 1942. While working with Chuck Grayson, his assistant, Crane is attacked and killed by bandits trying to steal his inventions. In an attempt to save Crane’s life, Chuck transplanted Crane’s brain into the body of a new robotic prototype they were working on. This surgery was successful, and Crane was able to live on in the body he called Robotman.

Two things of note here:

First, Robotman isn’t technically a robot. He’s a cyborg. However, that term wasn’t coined until 1960 by real life scientists Manfred Clynes and Nathan S. Kline.

Second, Robotman was not the first cyborg character in comics. He is predated by the Centaur character Iron Skull, who appeared in Amazing Man Comics 5 in 1939.

Be that as it may, I believe the reason Robotman is ranked so high here on our survey beating out other Golden Age robots like Bozo, Mr. Atom and Dynamic Man (all personal favorites of mine) is because he appeared in the 50’s in the pages of Detective Comics and then again during the Bronze Age in a few 100 Page Giants.

On top of all that, Golden Age salvage expert Roy Thomas brought the character back in the pages of All-Star Squadron where he served as a team member for many issues.

He was even involved in the first meeting of what would one day become the Justice League of America…

…but this first meeting/mission was suppressed from public knowledge. (Justice League of America 144).

As I mentioned, Roy Thomas makes great use of the character all during his All-Star Squadron run during the 80’s starting with issue 1 (1982) and culminating in a full issue origin story in issue 63 (1985).

At the same time, the current status of Robotman is revealed in DC Comics Presents 31 (1981) in a backup feature Whatever Happened to Robotman? It’s revealed that Robotman has been trapped underground for 20 years, in suspended animation. A sudden boost of energy awakens him into the modern era.

Where he discovers his old lab assistant Chuck Grayson, who was suffering from an incurable brain disease, bequeathed his body to Crane so he could regain his humanity. With his humanity restored, he doesn’t make many more appearances in the modern DC Universe aside from a few cameos in Geoff Johns’ Stars and STRIPE (which was in itself a tip of the hat to the old Star Spangled Comics both heroes used to appear in).

One of the cooler things about Robotman was how often he was getting dismantled or blown apart in his stories, and yet would keep on working. It was nothing to see him separated from his arms or legs and still kicking crime’s ass.

I suppose it's unlikely that we will ever see a modern day revival of the Robert Crane Robotman (as more readers today are familiar with the Doom Patrol character with the same name), but comics (and comics writers) are unpredictable when it comes to nostalgia. There might be a few more Golden Age Robotman stories still to be revealed.

— Jim

1 - Ultron

Yes, Ultron.

Go ahead and call us biased by the imminent premiere of Avengers: Age of Ultron if you must, but when we passed around our list of candidates for this countdown, his name kept coming up. Everyone ranked him near the top of their personal lists. Talk to anyone who reads comics, and you'll find they have an Ultron story. Or at least an Ultron moment. Jim's mentioned mine as one reason he asked me join his blogging collective, so I'm going to share it with you.

Before I do, let me point you to this great recap of Ultron's evolution through the years and to Trey Causey's indispensable short list of the best Ultron stories and where to find them reprinted.

When I was a kid, before there were comics stores in area and a couple of years out from discovering conventions and mail order, back issues may well have not existed. Comics were a rolling target, a perpetual now — the way television used to work. If you missed an issue and weren't lucky enough to have a friend who'd picked it up, you were never going to read it. (That's why Marvel Comics did so much recapping, kids! It's not just that Matt Murdock loves to tell the story of how he was blinded as a child.) In that world, stories published before you started reading a title were a bit exotic. With no internet and few fanzines, you couldn't even read synopses, so you had to glean what you could from footnotes and in-story references. Some things you got the gist of and didn't worry much about. The Hulk had been an Avenger briefly, the FF didn't always wear costumes — that sort of thing. Other things came up frequently enough, in such reverent tones, even a child could tell they were significant. Ultron was one of those things. Like the great blizzard before you were born or when you lived in a different city as a baby. You knew these things happened (in an academic way, at least) and were always fascinated by them, but you never expected them to happen to you in the present day.

I was nine years old when I read my first Ultron story in Marvel Two-in-One #92 (featuring two other robots who made our countdown!). I'd been reading Marvel Super Action sporadically, absorbing its classic '60s and '70s Avengers tales, but I'd never read an actual Ultron story. I knew Hank Pym had created him, knew he'd picked up an adamantium body along the way, and knew he was a top-tier Avengers baddie who grinned like a murderous jack-o-lantern through his various schemes. I also knew he'd been destroyed. Gone, done, in the past. Not coming back. Because that's how you think comics work when you're nine.

When I saw Ultron staring out at me from the drug-store rack on that Two-in-One cover, I was hypnotized by him, as surely Tony Stark and Jarvis had been. I bought that issue and devoured it one page at a time, not flipping ahead lest I spoil the suspense. Ultron had programmed Jocasta to resurrect him! He was back, and the Avengers had no idea, because it had happened in Marvel Two-in-One! Even the FF didn't know, because, you know, it had happened in Marvel Two-in-One! The only heroes standing in his way at the end of this issue were the Thing, Machine Man, and Jocasta. No Thor! No Iron Man!

As the weeks ticked by, I became increasingly convinced the Thing would die in Marvel Two-in-One #93. My kid-brain couldn't see any way around it. "Well," I thought, "at least I'll be here for the death of one of the Fantastic Four. I won't have to read idly along as Reed Richards recalls that significant event happening 'some months ago' and follow the asterisk down to the footnote. I'll know. I'll have been there." (At 41, I've lived through the deaths of too many of the Fantastic Four.)

Four weeks passed. Or maybe it was five. Either way, I knew it was time for the second part of that Ultron story, and I was determined not to miss it. The church in my small town was having a youth program that week, so I spent the morning in a Bible class, my heart filled with dread and anticipation. I'd looked at the situation from every possible angle, and still I saw no way out for the heroes. My mom picked me up and took me to the local drug store, where the new issue of Two-in-One waited to relieve me of my anxiety. I read it as carefully as I had the first part, taking in Ultron's villainous majesty, reassured that I was indeed reading a real, true, authentic, canonical story of one of the Avengers' greatest foes of yesteryear. (He recalled past plots. With footnotes! You can't get any more legit than that.) When I reached the climax and Machine Man (!) defeated Ultron by reaching into his mouth and yanking out his robotic innards (!!), I was floored. I hadn't seen that coming. His iconic open maw had been his undoing. His defeat had been staring me in the face the whole month — honestly, since before I was born!

Even at nine, I knew he wouldn't be defeated that way again. I was also starting to get the feeling he'd be back, that I'd get to read more Ultron stories — that he could be recurring for me, just as he had been for those older readers who wrote in to letters pages and occasionally mentioned him. But even if he didn't come back, the way Ultron was defeated satisfied me. It paid off on the visual I'd found so compelling and powerful since I'd first seen him in flashback. What might have been an anticlimax ended up as a resolution.

Let's hope Avengers: Age of Ultron pays off on our collective anticipation, even if that pay-off isn't as bombastic as our imaginations have built it up to be. I'm confident it will, if only because it features Ultron.

— Scott

---

So there you have 'em — our picks for the greatest robots ever to grace the pages of comic books, stretching from an era when the term robot had barely been invented to the present day, where robots are a fact of everyday life.  Did we leave anyone out?  Rank anyone too high (or too low)?

Public Domain Superhero Action Figures

Here's a kickstarter project that may be of interest to fans of Public Domain Superheroes - Amazing Heroes Retro Style Action Figures

Amazing Heroes is fronted by Bill Murphy of Fresh Monkey Fiction a studio of artists which has several comic projects under its belt. One comic, The Midnight Men looks especially appealing to me (and it's available as a cbr or pdf on their site).

Of the Amazing Heroes selected to be in the first wave of action figures, I really like The Black Terror and Daredevil the best:

 

If this project makes it to a second wave, I would like to see a place on the Fresh Monkey Fiction site where fans could vote on which characters to add to the collection. Bozo The Iron Man would be my top choice.

If you aren't familiar with Bozo The Robot (as he was also called) you can read download two comics with his stories from a previous post on this site.
 

Who would you want to see in future Amazing Heroes collections?

- Jim

My Bozo The Robot Pitch

Because of the DC Relaunch, James Robinson was forced to cut short his tenure on Justice League of America (which seems to have come to the relief of many people who were reading the title.) I can't really weigh in on the issue except to say that in his last issue of the series, he gave us a a metatexual finalie with glimpse of some of the stories he had planned, wherein this page intrigued me (click to see the full page)



A closer look at this page reveals this caption (in black)



This is not only a reference to one of my favorite Golden Age characters, Bozo the Robot, but also it references a (thankfully) aborted idea by the team behind the last incarnation of Freedom Fighters.
First some backstory for those of you unfamiliar with Bozo the Robot (and welcome to my blog because this sure ain't the first time I've talked about him.) Bozo is a character from Quality Comics SMASH COMICS who ran on the cover of the first issue and ran in the series until issue 42. He has always been a favorite of mine, and I've featured him here several times in the past.

Being named James and liking Bozo seems to be two traits I have in common with Mr. Robinson as he once included a nice cameo of Bozo in his Starman run. The reference to Gonzo here is a wink towards a character created by Justin Gray and Jimmy Palmiotti that they had a character concept for a villain called Gonzo the Mechanical Bastard that was derived from a character proposal by Grant Morrison, which was to have been an update of Bozo.

Yeah, that's what we need.
A grim and gritty version of a whimsical robot character.

Being a fan of Bozo, and hearing people talk about Robinson's run on JLA, I am sorta glad that the only glimpse of this incarnation we will ever have to endure is limited to a caption box. Still, you know someone is eventually get around to doing something with this character. And based on current trends at DC, I suspect the words BAD ASS will be in the pitch.

You know who would be good on a Bozo Revamp? Me and Pierre! I know that sounds crazy but man, I think Pierre would perfect for sort of CC Beckish take on Bozo the Robot. I would totally use the character to tell whimsical, pseudo-sci-fi stories in a sprawling metropolis much in the same way CC Beck used to do with Captain Marvel.

Here's my Bozo the Robot Pitch:
 
Our story begins with Bozo being awakened after untold years of hyper-electric hibernation in what seems to be the basement of an old museum. The waker is a newspaper boy whose arms are covered with strange tattoos. The boy doesn't seem to be able to talk, but points to one of the tattoos, which is a perfect likeness for Bozo. In the boys hands is a newspaper with the headline: Bozo the Robot Found!



The boy leads Bozo up the stairs of the museum where he meets a group of street ruffians who call themselves the Holiday Hooligans. 



The Hooligans tell Bozo that he is in the city of Halcyon, and that they live in the museum, which has been long abandoned since before the start of the great war. The boy who awakened Bozo is named Quiet Quincy because he is mute. The leader of the boys is a troubled soul with a gimp leg nick-named Crabby Abby. They make their way in the world selling newspapers and in their off time patrol the city looking for adventure and solving any mysteries they encounter. As it turns out, Halcyon is indeed full of mysteries!

Bozo discovers that while this city resembles the era he was created in (1940's) it is not that time. Nor is it easy to determine what time it is, as NONE of the newspapers (or anything for that matter) have a date on them! Also, Halcyon appears to be a city without boundries, as the blocks go on forever. Strangest of all, the tattoos on Quincy's body seem to be images of events that will unfold in the future, and Quincy himself often disappears for a day, only to return with newspapers with tomorrows headlines. It was one of these very newspapers that led him to Bozo in the first place.

As Bozo joins the Hooligans on their adventures he meets other inhabitants of Halcyon:

There is an oriental homeless man Shang Rila who claimes to be the last of a mystic order that guarded a temple beneath Halcyon that can be only accessed by traveling through a deserted subway station.



Protecting Halcyon's lone library is the timid half-man, half-lion creature known as The Loquacious Mr. Leo, who knows more about Halcyon than anyone, but will only share his information in return for a favor. No one knows where Mr. Leo came from or why he is the only such creature of his kind.



A constant source of trouble for the Hooligans is the Dr. Savantus, a man who promotes himself as a brilliant scientist, but his inventions often seem to deviate so wildly in design that Bozo questions if he is actually the creator or simply an unwitting tester of some sort.



Above all these enigmatic characters is the merciless Cardiff Cadaver. A ghastly ghoul with moon-white skin dressed in a tattered tux who roams the nightime streets of Halcyon destroying anyone who gets in his way as he pursues some mad quest that only he is privy too. It was the Cadaver who crushed Abby's leg. Since that day, the Hooligans have been on the lookout for this white widowmaker in hopes of taking him down.



If I made this a 6 issue mini-series, I would have Bozo discover some, but not all of the mysteries above, while keeping a light-hearted tone to the series. By the by, I would be remiss if I were not to say that some of the inspiration for this idea and the format for this post comes from Trey Causey's ever creative Weird Adventures RPG Setting.

So until DC calls me up to offer me this dream job, (or Pierre gets tired dissing the DC Relaunch  ;) ) check out this great issue of Smash Comics which features Bozo on the cover: [ Smash Comics 26 ]



Enjoy!

- Jim

Free Comics Monday: Smash Comics

Today I present two more issues of Smash Comics, featuring among other characters, Bozo the Robot and The Ray.

[ Smash Comics 15 ]

[ Smash Comics 16 ]

Enjoy!

Touchscreen Comics - Format for the Future

Recently I've been thinking about making a comic specifically for a Mobile Internet Device (MID) or SmartPhone like the the iPod/iPhone, Google Android, BlackBerry Storm and HTC Dream.

IT pundits are predicting that the growth of these type of devices is going to be huge over the next two years, and I think there are some advantages to designing comics for this platform.

Typically the (touch) screens are only big enough to display a single panel of a web comic at about 320 x 480. However, bigger screens are coming. The BlackBerry Storm is going to have a 480 x 360 screen size and doubt any new phones on the drawing board will have *smaller* screens than what's currently available.

Still, 320 x 480 is a small size when one is used to reading comics that are typically about 8.5 by 11 inches (or larger if you count both pages.)

I think that size presents some interesting challenges and decided to view a few comics on an iPod to see what works and what doesn't work. These samples are from http://www.ClickWheel.net

Some notes about ClickWheel - I will do a full post on the site sometime in the future. There are good things about it and some bad things about it, but I want to use it more before I pass judgement. One of the coolest things is the DO have 2000 AD available for download in CBR format! One of the bad things is the site is a little awkward to use in some ways and is apparently broken in IE 7.

Here's what I downloaded from the site:

Example 1 -here is what I see when I read Judge Dredd on my iPod Touch.

Example 2 - here is a screenshot of Perwell, a fun comic by Chuck Whelon and Adam Prosser This was was labelled as an iComic and seems optimized to take advantage of the iPod screen size.

Example 1 didn't really impressed me as being optimally set up for viewing on an MID because of the way the page is laid out, I have to zoom in too much to read the captions. On the flipside, Perwell was a great iPhone reading experience!

When thinking about how best to utilize this new size/format, one thought has come to me that seems to be causing quite a stir among my other creators I mention it to: I don't think this format is well suited for superhero stories.

Comics in the 40's (like Bozo the Robot left )were more akin to today's comic strips than our current breed of comics. They had lots of little panels and the action was encapsulated in these panels.

However, during the Silver and Bronze age, as the comic book format began to mature, artists started to experiment with both page and panel design. As a result we saw more and more full panel pages.

Now, I love a good full page splash, and have used the heck out of them in Flashback, but such pages loose their gravitas when reduced to a small screen.

You take a *wide screen* type of comic like the Authority and remove the big splash pages from it and you've lost a large part of the appeal of such a book.

Superhero comics are typically written and drawn to take advantage of big splash pages, and for the past 40 years, we've come to expect these type of pages from our superhero comics.

There are quite a number of notable exceptions to this rule, but by and large, a superhero comic that doesn't have it's fair share of wide screen high action full page splashes is usually seen as a boring or (even worse) experimental and deconstructive.

Today's readers want a full page splash of Galactus standing in Manhattan, but how will that look on an iPhone?...

And here is the same page on an iPhone...it sort of loses its impact. Not mention how tough reading it will be.

When the Digital Comic Haters are bitching and moaning about how they hate to read scrunched up type, that is exactly what they are talking about. Hell, if all Digital Comics looked like that, I would have never started Flashback.

So, I'm suggesting that perhaps the comics that will be most successful on this new platform are going to be ones that take their cues from Golden Age Comics and, strangely, Harvey and Disney Comics. Look at how the separate panels in this Hot Stuff comic would fit perfectly on an iPod (dividing the first panel in two possibly.)

Now compare the Hot Stuff on the iPod against the FF example above and see which one is going to be the easiest to read without a lot of fiddling with your views.

Pretty obvious, isn't it?

Bottom line: I think if today's artists are going to take advantage of tomorrow's technology, they are going to have to look to the past for guidance.

- Jim